![Esbjorn svensson trio 301 rarlab](https://kumkoniak.com/74.jpg)
in that early form, sans effects, full-on jazz trio, a tune that builds up intensity, then lets it gently crash on the shore. A track like “The Left Lane” shows E.S.T. still had all the dramatic tension and lilting melodies, but didn’t throw themselves into the tech experiments until later.
![esbjorn svensson trio 301 rarlab esbjorn svensson trio 301 rarlab](http://supportbunny.weebly.com/uploads/1/2/4/8/124807515/251035243.jpg)
![esbjorn svensson trio 301 rarlab esbjorn svensson trio 301 rarlab](https://lylasopa473.weebly.com/uploads/1/2/6/5/126549300/820212770.png)
The electronics didn’t come in heavy doses until later. is that it was first and foremost a jazz piano trio. The corresponding sizzle of electronic effects and rising sun harmonization counterbalance the straight-forward stroll of piano, drums, and bass. “Inner City, City Lights” shines out from behind a hazy fog. Whereas Leucocyte makes a statement, 301 is content to let the message become whatever the music makes of it. It’s an album of relaxed demeanor, of keeping cool during tense moments, of kicking back and appreciating life as it comes. Ostrom played the drums like he was cool just sitting in place, but was ready to pounce at the first opportunity to fight.ģ01 displays an alternate personality. There were visible veins popping up off the muscles of Bergstrom’s bass lines. Svensson’s piano notes had the shine of blades recently sharpened. Leucocyte had a menacing presence, even during its quieter moments. Its success hinges, primarily, on how the “original” album’s tracks were selected: Was it based on attaining a consistent identity or were the tracks chosen based on encapsulating a range of sound and emotion?
![esbjorn svensson trio 301 rarlab esbjorn svensson trio 301 rarlab](https://lylasopa473.weebly.com/uploads/1/2/6/5/126549300/471632861.jpg)
It’s always a dodgy proposition to coalesce an album around the tracks originally discarded from consideration the first time around. Your album personnel: Esbjorn Svensson (piano, electronics, transistor radio), Dan Berglund (double bass, electronics), and Magnus Ostrom (drums, electronics, voices). This collection of songs, recorded during the session that produced the album Leucocyte, illustrate just how much music Svensson had left in him. Unfortunately, Svensson’s tragic death in 2008 cut short our opportunity to discover where he’d, ultimately, take his sound. With the use of electronics, rock tempos, and dramatic melodic excursions, the Esbjorn Svensson Trio brought about an innovative approach to the jazz piano trio, the New Piano Trio, and inspired a wave of followers in their wake.
![Esbjorn svensson trio 301 rarlab](https://kumkoniak.com/74.jpg)